The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianship. They provide supplementary materials which can be used with any standard string method. By studying the text carefully, and with the teacheras help, the young student will develop a foundation for a fine left-hand technic and bow arm. This volume includes the basic solid bowings and the slow spiccato stroke in the fundamental rhythms.

Compiled from melodies Samuel Applebaum used to teach his students to play their instruments. The melodies are arranged in progressive order from the first three notes students learn to the end of level one in most method books. These melodies may be played as solos or in unison with other string instruments. Michael Katz has produced the accompaniment CD (in traditional, jazz, and rock styles) to motivate students to practice and perform for friends and family.

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianship. They provide supplementary materials which can be used with any standard string method. By studying the text carefully, and with the teacheras help, the young student will develop a foundation for a fine left-hand technic and bow arm. This volume includes the basic solid bowings and the slow spiccato stroke in the fundamental rhythms.

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianship. They provide supplementary materials which can be used with any standard string method. By studying the text carefully, and with the teacheras help, the young student will develop a foundation for a fine left-hand technic and bow arm. This volume includes the basic solid bowings and the slow spiccato stroke in the fundamental rhythms.

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianship. They provide supplementary materials which can be used with any standard string method. By studying the text carefully, and with the teacheras help, the young student will develop a foundation for a fine left-hand technic and bow arm. This volume includes the basic solid bowings and the slow spiccato stroke in the fundamental rhythms.

The Duets for Strings, Book 2 may be started when the pupil has reached page 9 of Book 2 of the String Builder. They may, however, be used in conjunction with Book 2 of any standard string class method. Published in three levels for violin, viola, cello, and bass.

The Duets for Strings, Book 3 may be started when the pupil has reached page 9 of Book 3 of the String Builder. They may, however, be used in conjunction with Book 3 of any standard string class method. Published in three levels for violin, viola, cello, and bass.

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two violins, two violas, two cellos, two basses, and piano accompaniment.

The Duets for Strings, Book 2 may be started when the pupil has reached page 9 of Book 2 of the String Builder. They may, however, be used in conjunction with Book 2 of any standard string class method. Published in three levels for violin, viola, cello, and bass.

Scales for Strings is to be used as supplementary material for any string class method or as interesting training material for the development of a string orchestra. The series is available in two levels for violin, viola, cello, bass, and piano accompaniment. A teacher's manual is available as well.

First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder. They may, however, be used in conjunction with any standard string class method, as this book is a complete unit in itself and may be used separately for class or individual instruction. The string parts are played in unison with piano accompaniment. Each etude is interesting and has its specific technical value for the left hand and for the bow arm. Published for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

The Duets for Strings, Book 1 may be started when the pupil has reached page 9 of Book 1 of the String Builder. They may, however, be used in conjunction with Book 1 of any standard string class method. Published in three levels for violin, viola, cello, and bass.

This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two violins, two violas, two cellos, two basses, and piano accompaniment.

String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: The Bass Fiddle Waltz (Beyer) * A Stately Dance (Hassler) * March of the Giants (Brian) * Two Jovial Dances (Kingman) * Theme from Pomp and Circumstance (Elgar) * Dance of the Wooden Soldiers (Lichner) * Sarabande and Minuet (Handel) * Menuet (Pleyel) * Gavotte in Rondo Form (Dandrieu).

The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this book, the violin, viola, cello, and bass play together. The book for each instrument, however, is a complete unit and may be used separately for class or individual instruction. In this book, the pupil is carefully taken step by step through the third and fifth positions. The pupil is taught to find each finger, after which simple shifts are introduced with the same finger, followed by shifts to these positions with different fingers. Each type of shift is presented and developed with interesting melodies. The material in this volume is chosen for its musical interest and its technical value. There are a number of duets which are to be played by either two pupils or with the class divided into two groups. The material in this book is realistically graded so that only a minimum of explanatory material is required. Suggestions for work by rote are presented throughout the book. Published for violin, viola, cello, bass, piano accompaniment, teacher's manual.

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: Serenade (De Beriot) * To A Wild Rose (MacDowell) * A Graceful Waltz (Isaac) * Three Waltzes (Beyer) * Grandfather's Clock (Work) * The Country Fair (Gurlitt) * Sonatina in C (Viguerie) * Waves at Play (Streabbog) * Souvenir (Bloch).

Contents are: Allegretto (Op. 2, No. 5) * Allegro (Op. 3, No. 6) * The Bird (Op. 33, No. 3) * Cantabile (Op. 64, No. 5) * Canon (Op. 76, No. 2) * A Graceful Dance (Op. 3, No. 4) * The Horseman (Op. 74, No. 3) * In the Style of a Minuet (Op. 64, No. 5) * Menuetto (Op. 1, No. 1) * Menuetto (Op. 2 No. 4) * Menuetto (Op. 2, No. 5) * Menuetto (Op. 17, No. 2) * Menuetto (Op. 17, No. 3) * Menuetto (Op. 17, No. 5) * Perpetuo Mobile (Op. 64, No. 5) * Presto (Op. 1, No. 2) * Presto (Op. 2, No. 5) * Scherzo (Op. 3. No. 5)

String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: Two Austrian Folk Tunes (Kohler) * Rigaudon (Lee) * First Sonatina (Drew) * Minuet (Pleyel) * March (Clarke) * Second Sonatina (Drew) * The Strange Man (Schumann) * Two Classical Pieces (Reinagle) * Adagio and Allegro (Galliard).

String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: The Bass Fiddle Waltz (Beyer) * A Stately Dance (Hassler) * March of the Giants (Brian) * Two Jovial Dances (Kingman) * Theme from Pomp and Circumstance (Elgar) * Dance of the Wooden Soldiers (Lichner) * Sarabande and Minuet (Handel) * Menuet (Pleyel) * Gavotte in Rondo Form (Dandrieu).

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianship. They provide supplementary materials which can be used with any standard string method. By studying the text carefully, and with the teacheras help, the young student will develop a foundation for a fine left-hand technic and bow arm. This volume includes the basic solid bowings and the slow spiccato stroke in the fundamental rhythms.